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Converter Better Than Canopus Advc300 For Mac

Converter Better Than Canopus Advc300 For Mac

Canopus ADVC300 Advanced Digital Video Converter; ›; Customer Reviews. If it is more cost - effective to buy the device to convert analogue to digital than to get it. SO I THEN DECIDED TO LOOK FOR REVIEWS ON THE MAC FORUMS. Converter better than Canopus ADVC300 for Mac? 06:37 PM by Sac John.

  1. Converter Better Than Canopus Advc300 For Mac Download
  2. Converter Better Than Canopus Advc300 For Mac Free

Similar Messages. Embarking on the daunting task of importing/editting 100 2hr VHS tapes, and want to get the best results for my efforts. I pop a tape into a VCR connected via S-Video (video) and RCA (audio) cables to a Sony DVMC-DA1 AD converter, and from there to my Mac Pro via Firewire. Use FCE 'Capture Now' using NTSC DV Converter setup.

Start capture, let it run unattended, and return at my leisure to do some rough editting. Problem is the audio on the imported clip gradually loses sync, by about 2 seconds by the end of the clip. The sync problem is present on the clip when played with Quicktime as well. Questions: 1. Is there a reasonable way to correct this in FCE? Since my Sony converter is nearing 10 years old, will use of a more recent AD converter such as the Canopus ADVC 300 result in a perfectly synced import? If so, can you comment on the Canopus's purported video noise reduction and image stabilization capabilities?

Is it noticable/worthwhile? Thanks for your time. Hello, The problem is the audio is not 'locked' to the video, and your old Sony DVMC-DA1 does not appear to support locked audio.

The only way you might deal with this in FCE itself would be to capture shorter clips (say, under 15 minutes each) which would minimize the degree to which the audio drifts out of sync in each clip. (The longer the clip, the greater the drift.) Given the large amount of video you wish to digitize (some 200 hours), it will be far preferable to use a Canopus ADVC-100, 110 or higher model - +they all support DV locked audio+ - so the video & audio are sync'd without the need for manual intervention or capturing short clips. I have used the Canopus 100 & 110 extensively and have been very happy with the results. Sometimes, depending on the VHS tape, there is some slight banding at the very bottom of the image but 1) this is +usually not visible+ in the finished movie because it is outside the 'image safe area' and 2) if necessary can be compensated via about a 2%-4% enlargement of the image in FCE (which is not enough to soften the image). I have not used the Canopus 300 because I never felt the need, as I am happy with my results from the 100 & 110. Users of the 300 have been pretty positive about its built-in TBC and image cleaning capabilities. I must connect an ADVC 300 to a Black Magic Intensity Pro HDMI PCI Express Capture Card.

For best quality, which cable should I use? On the ADVC 300 there are outputs of firewire, S-VHS and RCA. On BMPro it's a little confusing. On the breakout cable there are connectors that say: -5 B-Y OUT -4 Y OUT -3-R-Y OUT -7-R-Y IN -8-Y IN -9 B-Y IN -15 AUDIO IN RIGHT -10 AES/EBU OUT -12 AUDIO LEFT OUT -14 AUDIO LEFT OUT -13 AUDIO RIGHT OUT With the BMPro, there is also a separate, shorter cable.

On one end it looks like S-VHS and on the other there are two connectors, one black and one blue. On the actual BMPro Express card strip instead of using the breakout cable, there is HDMI IN (and HDMI OUT). How should I connect this? Is there an adapter cable of FIREWIRE TO HDMI? Any help is much appreciated. Well, when I researched how best to digitize VHS (into Final Cut Pro 7), I learned two of the best devices to use are BMPro and Canopus ADVC 300.

I’m using the ADVC 300 for the built-in time base corrector. I definitely want to use that to stabilize the video. I also read how well BMPro improves image quality. So, I thought to use the two together must produce outstanding quality (well, as good as VHS can be). Perhaps I got confused into thinking I can use both. But the BMPro appears to have an S-VHS adapter.

Maybe you are looking for. My company produces a web app that is intended to be used from the iPad's Full Screen Home Screen launch. We are using the tags.

Featuring high-quality image-enhancement technology-including digital noise reduction and image stabilization using line time base correction (LTBC)-the ADVC300 unit instantly cleans, stabilizes, and preserves old VHS and Hi8 videos in a clean DV format. Connects analog video equipment to FireWire (IEEE 1394)-equipped computers for video editing. Compatible with Windows (including Windows 7) and Mac operating system-based DV editing systems.

Compatible with leading editing and DVD authoring applications including Grass Valley EDIUS, Sony Vegas, Apple Final Cut Pro and iMovie, Avid Xpress DV and Liquid, Adobe Premiere Pro, Ulead MediaStudio Pro, and Windows Movie Maker. No drivers or software applications to install.

Powered by included AC adapter. NTSC and PAL compatible Works with many FireWire 800 (IEEE 1394b) equipped computers by means of an appropriate adapter cable (customer supplied).

Rated 5 out of 5 by Chris Gardner from Works great right out of the Box!! If you are like me, you have shoe boxes full of 8mm, Hi8mm, and VHS Tapes laying around that desperately need to be converted to digital. This is the device you need and want! My editing software recognized it immediately and my first video that I did was terrific! I would highly recommend this to anyone.

Avoid the cheap video capture devices that you find in the big box stores. They just aren't worth the money!

Grass valley canopus advc 300

The ADVC300 not only produces a clean picture, but the audio stays in perfect sync as well! You won't get that from the cheaper video capture devices that everyone is selling these days.

Converter Better Than Canopus Advc300 For Mac Download

Money well spent, you won't be disappointed with this! Rated 5 out of 5 by Alex (DV411) from Great converter but no component input It's a great little converter - especially if you need timebase correction (if not, use a more affordable ADVC-110) - but it does NOT have component input, so you can't technically call it Bi-Directional and component in the same sentence.

A more appropriate description would be, Canopus ADVC-300 Bi-Directional Media Converter, Composite, Y/C, Unbalanced Stereo Audio, IEEE-1394 (DV); Component output. Please fix it B&H - thank you! If you need component to DV/ FireWire, use Canopus ADVC-700 (high end), DataVideo DAC-15, or the entry level ADS Pyro A/V Link. Rated 5 out of 5 by Anonymous from Most stable and best looking VHS yet I've tested both the ADVC110 and the ADVC300 on the same worn VHS tapes, and I can say that the ADVC300 does a superior job of capturing.

The ADVC110 was dropping video sync on one particular tape recorded in 1987 the stream just stuttered in some places and caused short blackouts. The stream re-established, but audio sync was then off. I tried the same tape with the ADVC300, and achieved excellent results. Some frames were dropped in the capture, but they weren't noticeable, and the audio sync remained intact. The ADVC300 is streets ahead of all the other capture devices I have tried (4 in all). Mind you it is more expensive than all the others.

The hardware works flawlessly with Windows 7 64 bit, and Adobe Premiere Pro CS5. The included Picture Controller 300 software also works seamlessly within Windows, and by Firewire controlling the ADVC hardware. The software adjustment is extremely useful for changing video brightness, and white peak adjustment, etc. You cannot completely turn off all noise reduction and the LTBC, but the output still looks better, even on high quality tapes, than that from the ADVC110, which has no noise filters. An excellent box for high quality video capture. This is the most stable and best looking VHS and Video 8 output to a PC that I have seen.

Converter Better Than Canopus Advc300 For Mac Free

Rated 5 out of 5 by Anonymous from Painless. I was capturing S-VHS video to my Mac via the Firewire within minutes of opening the box. I haven't tried all the adjustments the ADVC-300 offers, but the out of the box default experience was painless. I made a Video DVD with the Mac and the DVD looks as good as the original VHS-C shot video. I have not used any other video capture product, so I can't compare this to other solutions, but I read a lot of scary reviews of other products - especially with audio/video synchronization.

No problems with the ADVC-300. Rated 4 out of 5 by Anonymous from Great noise reduction for grainy tapes I spent the extra on this one to covert 20+ year old 8mm videotapes that were quite grainy, both from low light at the time, and from age. As tapes age, some of their magnetic particles can drop out, adding to noise. This has done a great job of cleaning up the tapes as I convert them from analog to digital. Most software can also do some noise reduction, but I think this does it well.

Converter Better Than Canopus Advc300 For Mac

It has good software to allow you to adjust as you go, with sliders on your screen. The cheaper analog-digital video converters can do fine with good source material. But if your source material is problematic, it's worth getting one of these.

What's not great - there are cheaper ones available that will work fine in most cases. Also there is some fiddling to do as you learn to optimize it.

Converter Better Than Canopus Advc300 For Mac